Mapping the audio channels in clips determines the type
and number of audio tracks in which they will appear in a sequence.
Also, mapping channels determines their destination channels within
in the Master Track, and therefore in the final output file. For
example, if you map channels 1and 2 in a stereo clip to the Left-Front
and Right-Front channels in a 5.1-channel Master Track, the two
source channels will appear as a single 5.1-channel track when placed
into a sequence, and they will feed the Left-Front and Right-Front
channels of the Master Track. When the final output is played through
a 5.1-channel surround sound system, the original two channels will
be heard through the Left-Front and Right-Front speakers, respectively.
Clip audio channels are mapped to
the Master Track when they are brought into a project, by default,
according to the Default Track Format you set for Audio Preferences.
You can also define how a clip’s audio channels are mapped after bringing
them into a project with the Clip > Audio Options >
Source Channel Mappings command. You can simultaneously apply this
command to multiple clips in the Project panel. When the command
is applied, the following controls are available in the Source Channel
Mappings dialog box:
- Track Format
- Defines the type of track in which the clip’s audio channels
are presented in a sequence—Mono, Stereo, Mono As Stereo, or 5.1.
- Mono
- Maps the source audio channels so that they’re placed on
separate mono audio tracks when the clip is added to a sequence.
For example, when you change a clip’s track format from Stereo or
5.1 to Mono, Adobe Premiere Pro maps each channel to a separate
mono track. You can apply the Mono track format to clips containing
any number of audio channels. When you add the clip to the sequence,
the clips on the separate mono tracks remain linked together.
- Stereo
- Maps the source audio channels so that paired channels are
placed on separate stereo audio tracks when the clip is added to
a sequence. You can apply the Stereo track format to clips containing
any number of audio channels. However, if the clip doesn’t contain
an even number of channels, a channel with silence is created and
paired with the odd‑numbered channel when the clip is added to a
sequence.
- Mono As Stereo
- Maps the source audio channels so they are placed on separate stereo
audio tracks when a clip is added to a sequence. Adobe Premiere
Pro duplicates the audio from mono source channels and places it
in the left and right channels of the stereo tracks. You can apply
the Mono As Stereo format to clips containing any number of audio
channels.
- 5.1
- Maps the source audio channels so that one or more groups
of six channels are placed into separate 5.1 surround audio channels
when the clip is added to the Timeline panel. If the number of source
channels isn’t a multiple of six, Adobe Premiere Pro creates a 5.1
surround audio track with silence on one or more channels when the
clip is added to the Timeline panel.
- Enable
- Enables or disables an audio source channel. When you add
a clip to a sequence, only the enabled channels are added to the
Timeline panel. Disabling a source channel also prevents you from
swapping its output channel with another source channel.
- Source Channel
- Lists the original channels of the clip’s audio.
- Track
- Displays the order of the sequence audio track where each
channel will be placed.
Note: Under Track, the numbers don’t correlate
with the actual audio track numbers.
- Channel
- Displays the channel type and speaker location that the source channel
will be mapped to.
- Playback button and slider
- Lets you preview the audio of the selected source channel.
You can preview a source channel whether it’s enabled or not. The playback
button and slider is unavailable if you’re applying the Source Channel Mappings
command to multiple master clips.
You should map source audio
channels before adding a clip to a sequence. If you apply the Source
Channel Mappings command to a clip after it has been added to a
sequence, you can swap only the output tracks and channels between source
channels. The Track Format and Enable controls are unavailable, preventing
the master clip’s overall configuration from becoming out of sync with
instances of the master clip already in a sequence.
Audio channel icons
These icons appear in the Source Channel Mappings dialog
box, and in the Audio Output Mapping dialog box.
The following
icons indicate channel mapping for stereo mixes:

- Left stereo channel

- Right stereo channel
The following icons indicate channel
mapping for 5.1 surround mixes:

- Left front channel

- Right front channel

- Left surround channel

- Right surround channel

- Center front channel

- Low frequency effects channel
Map audio channels in a clip
- Select one or more clips containing audio in the
Project panel and choose Clip > Audio Options >
Source Channel Mappings.
Note: If you select more than one audio clip, make sure that
the track format is the same for all the selected clips.
- In the Source Channel Mappings dialog box, do any of
the following:
To map the audio to a different track format,
click the format you want (Mono, Stereo, Mono As Stereo, or 5.1).
To enable or disable an audio channel, select or
deselect the Enable option for a source channel. When a clip is
added to a sequence, only the enabled channels are added to the
Timeline panel.
To map a source channel to a different output track
or channel, drag a track or channel icon from one source channel
row to another source channel row. This step swaps the output channels
or tracks for the two source channels.
Note: When you view a
clip with remapped source channels in the Effect Controls panel,
the tracks appear in ascending order, but their associated source
channels are determined by the mapping.
To map less than six source channels to the output
channels in 5.1 surround audio, drag the channel icon from one source
channel row to another source channel row, or click the 5.1 Channel
icon until the source channel is mapped to the desired output channel.
- To preview the audio in a channel, select the source
channel and click the Playback button or use the slider.
- Click OK to apply the source channel mappings
to the clip’s audio.
Map P2 clip audio for export to P2
If you map the clip audio channels to the correct 5.1
channels, you can export audio in P2 clips back to their original
four channels in an exported P2 sequence. You may want to do this,
for example, if you want to transfer your final output file back
to P2 media. Map the channels in your P2 clips in this way before
placing them into a sequence, and before using the File >
Export To Panasonic P2 command.
Note: If you leave P2 clips at
their default mono channel mapping, use them in a sequence with
a 5.1 Master Track, and export that sequence to P2, all four channels from
the P2 clips will be mixed only to the third and fourth channels
of the exported file.
- Import the clips into a P2 project containing
a sequence with a 5.1 Master Track.
- In the Project panel, select the clip or clips you want
to map.
- Select Clip > Audio Options > Source Channel
Mappings.
- Under Track Format, click 5.1.
- If necessary, click the 5.1 channel icons until they
map the four source channels in this way:
Ch. 1 to Left-Front Channel.
Ch. 2 to Right-Front Channel.
Ch. 3 to Left-Rear Channel.
Ch. 4 to Right-Rear Channel.
- Click OK.
Map your computer’s audio output to its speakers
You can determine the target speaker in your computer’s
sound system, for each audio channel supported by your computer’s
audio processor.
- Choose Edit > Preferences >
Audio Output Mapping (Windows) or Premiere Pro > Preferences >
Audio Output Mapping (Mac OS).
- In the Preferences dialog box, choose Premiere Pro Windows
Sound (Windows) or the Built-In input/output appropriate for your
system (Mac OS) from the Map Output For menu.
- To change the speaker output for an audio processor channel,
drag a channel icon from one source channel row to another source
channel row. This step swaps the output channels of the two source
audio channels.
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