The
Shadow/Highlight command is suitable for correcting photos with
silhouetted images due to strong backlighting or correcting subjects
that have been slightly washed out because they were too close to
the camera flash. The adjustment is also useful for brightening
areas of shadow in an otherwise well‑lit image. The Shadow/Highlight
command does not simply lighten or darken an image; it lightens
or darkens based on the surrounding pixels (local neighborhood)
in the shadows or highlights. For this reason, there are separate controls
of the shadows and the highlights. The defaults are set to fix images
with backlighting problems. The Shadow/Highlight command also has
a Midtone Contrast slider, Black Clip option, and White Clip option
for adjusting the overall contrast of the image.
Original image, and Shadow/Highlight Correction applied
Make sure the Preview option is selected in the dialog
box if you want the image to be updated as you make adjustments.
Adjust the amount of lighting correction by moving the
Amount slider or entering a value in the Shadows or Highlights percentage
text box. Larger values provide either greater lightening of shadows
or greater darkening of highlights. You can adjust both Shadows
and Highlights in an image.
For finer control, select Show More Options to make the
additional adjustments.
(Optional) Click the Save As Defaults button to save
your current settings and make them the default settings for the
Shadow/Highlights command. To restore the original default settings,
hold down the Shift key while clicking the Save As Defaults button.
Note: You can reuse Shadow/Highlight settings
by clicking the Save button to save the current settings to a file
and later using the Load button to reload them. For more information
on saving and loading settings, see Save and reapply adjustment dialog box settings.
Controls the range of tones in the shadows or highlights
that are modified. Smaller values restrict the adjustments to the
darker regions for shadow correction and the lighter regions for
highlight correction. Larger values increase the range of tones
that will be adjusted further into the midtones. For example, at
100% the shadow tonal width slider affects the shadows the most, the
midtones are partially affected, but the brightest highlights are
not affected. Tonal width varies from image to image. Too large
a value may introduce halos around very dark or very light edges.
The default settings attempt to reduce these artifacts. Halos may
also occur when the Shadow or Highlight Amount values are too large.
Tonal Width is set to 50% by default. If you find
that you are trying to lighten a dark subject but the midtones or
lighter regions are changing too much, try reducing Shadow Tone
Width towards zero so that only the darkest regions are lightened.
If, however, you need to brighten the midtones as well as the shadows,
increase Shadows Tonal Width toward 100%.
Radius
Controls the size of the local neighborhood around each pixel.
Neighboring pixels are used to determine whether a pixel is in the
shadows or highlights. Moving the slider to the left specifies a
smaller area, and moving it to the right specifies a larger area.
The optimum local neighborhood size depends on the image. It’s best
to experiment with the adjustment. If the radius is too large, the
adjustment tends to brighten (or darken) the whole image rather
than brightening the subject only. It’s best to set the radius to
roughly the size of the subjects of interest in the image. Experiment
with different Radius settings to obtain the best balance between
subject contrast and differential brightening (or darkening) of
the subject compared to the background.
Color Correction
Allows fine‑tuning of the colors in regions of the image
that have changed. This adjustment is available only in color images.
For example, by increasing the setting of the Shadows Amount slider,
you bring out colors that were dark in the original image. You may
want these colors to be more vivid or less vivid. Adjust the Color
Correction slider to achieve the best results. In general, increasing
the values tends to produce colors that are more saturated, and decreasing
the values produces colors that are less saturated.
Note: Because the Color Correction slider affects only
changed portions of the image, the amount of color variation depends
on how much shadow or highlight is applied. The greater the correction
of shadows and highlights, the greater the range of color correction
available. The Color Correction slider exerts subtle control over
the darkened or lightened colors in the image. If you want to change
the color hues or saturation of the whole image, use the Hue/Saturation
command after applying the Shadow/Highlight command.
Brightness
Adjusts the brightness in a grayscale image. This adjustment
is available only for grayscale images. Moving the Brightness slider
to the left darkens a grayscale image, and moving the slider to
the right lightens a grayscale image.
Midtone Contrast
Adjusts the contrast in the midtones. Move the slider to
the left to reduce the contrast and to the right to increase the
contrast. You can also enter a value in the Midtone Contrast text
box. A negative value reduces contrast, and a positive value increases
contrast. Increasing midtone contrast produces greater contrast
in the midtones while tending to darken the shadows and lighten
the highlights.
Black Clip And White Clip
Specifies how greatly the shadows and highlights are clipped
to the new extreme shadow (level 0) and highlight (level 255) colors in
the image. Larger values produce an image with greater contrast.
Be careful not to make the clipping values too large, because doing
so reduces detail in the shadows or highlights (the intensity values
are clipped and rendered as pure black or pure white).
Comments
Comments are no longer accepted for Photoshop CS3. Photoshop CS4 is the current version. To
discuss Photoshop CS3, please use the Adobe forum.
Comments
Comments are no longer accepted for Photoshop CS3. Photoshop CS4 is the current version. To discuss Photoshop CS3, please use the Adobe forum.