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High dynamic range color

The dynamic range (ratio between dark and bright regions) in the physical world far exceeds the range of human vision and of images that are printed on paper or displayed on a monitor. Low dynamic range 8-bpc and 16-bpc color values can represent RGB levels only from black to white; this represents an extremely small segment of the dynamic range in the real world.

High dynamic range (HDR), 32-bpc floating-point color values can represent brightness levels much greater than white, including objects as bright as a candle flame or the Sun.

Because we can see only a subset of the luminance values in a real-world scene in an HDR image on a monitor, it is sometimes necessary to adjust the exposure, or the amount of light captured in an image, when working with an HDR image. Adjusting the exposure of an HDR image is like adjusting the exposure when photographing a scene in the real world, allowing you to bring detail out of very dark areas or very bright areas.

You can use the HDR Compander effect to compress the dynamic range of a layer with an HDR footage item as its source. In this way, you can use tools that don’t support HDR, such as 8-bpc and 16-bit effects. When you’re done, use the HDR Compander to undo the dynamic range compression. The HDR Highlight Compression effect lets you compress the highlight values in an HDR image so that they fall within the value range of a low dynamic range image.

Jonas Hummelstrand’s website provides a collection of resources for understanding and using HDR color in After Effects: www.adobe.com/go/learn_ae_jonas32bpc.




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